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Transitional Plus Care

Su Andi | August 22, 2010

 

 

 

 

 

Transitional Plus Care

 

NBAA works with Transitional Plus Care using drama as a tool to engage and address the offending behaviour issues of young people in community, custody and other settings.

 

www.transpluscare.com

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REMEMBERING TOMORROW

Su Andi | August 16, 2010

NBAA is proud to announce its receipt of a 2010 Grundtvig Learners Workshop Grant

 

Remembering tomorrow: Cultural heritage: Reinforcing links between education and working life

 

Dates of Residency: Arrival October 19th (or 20th depending on flights) Depart October 30th Manchester UK

 

Target Group + Translation: Twelve (English speaking) Refugees and disadvantaged ethnic minority migrants from Spain, Netherlands, and Ireland. Age range from 18 years no upper limit.

 

Main activities Programme + Programme translation:

Drumming, painting, drama, and photography. Social outings to theatres, museums, and points of historical history linked to migration from Africa, the Caribbean, and South Asia.

 

The project is built on the SMART principal in order for the learners to reconnect with many aspects of their culture through the (re) learning of “Soft Skills” and “Life Skills” Then they will be able to share this rekindled knowledge within their new homeland, to see that their skills and culture have value and worth and thereby enhance their own sense of self achievement

 

Contact baa@blackartists.org.uk for further information and to register your interest.

 

 

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Red Dust Road by Jackie Kay

Su Andi | August 10, 2010

 

(Picador)  ISBN 0330451057 £16.99

What is truth and what is really fiction

 

 

 

 

 I am messing with an African proverb but it speaks for the latest publication from Jackie Kay

 I told her that I didn’t like her book. I told her this because she has produced a story that fills the imagination and in my case followed me into my dreams. It made me miss my Dad and I didn’t like that.

Anyone who has had the pleasure of seeing Jackie in performance might miss, as I did, the laughter of her voice.

This factual account is hard to read as it hurts the heart but the spirit of the woman is wonderfully strong throughout

You might still be able to hear Jackie reading extracts on the BBC website.

Don’t listen.

Buy the book.

Read it and then tell me if you can’t see the red dust that lies heavily between the pages

 

SuAndi

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AFRICAN WRITERS ABROAD (PEN CENTRE)

Su Andi | August 4, 2010

13 SEPTEMBER -
18 SEPTEMBER 2010


Creative Writing Residential (Devon)



The AWA/Arvon course is a special partnership residential taking place for AWA members and prospective AWA members

A week long course will be held in Devon at Totleigh Barton, a thatched pre-Domesday manor house surrounded by farmland in one of the most peaceful and beautiful parts of Devon.

Course Leaders

 

 

Dorothea Smartt

 

Dorothea Smartt, a respected Black British poet of Barbadian heritage, is the author of two books of poetry: Connecting Medium and Ship Shape. She has also been published in several anthologies internationally and has performed her work across the globe.  Most recently, she has been anthologised in Red: Contemporary Black British Poetry. She is the poetry editor for SABLE Litmag, and co-director of Inscribe, Peepal Tree Press’s Black and Asian writer development programme in Yorkshire.

Dorothea wil be working with

Nii Ayikwei Parkes is co-founder and senior editor at flipped eye publishing. 

 

Jacob Ross is a novelist, short story writer and a tutor of Narrative Craft

 

Contact africanwritersabroad@yahoo.com

Discounts available for AWA members, full time students and subscribers to SABLE LitMag and Mslexia.

 

 

 

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First Arts Doctorate at Middlesex University

Su Andi |

Michael McMillan achieved his doctorate through practice-as-research based and looking at the creative process in making The Front Room

Michael thanks all those who have supported him during this journey of change, growth and exploration.

 

BAA commissioned The West Indian Front Room for Acts of Achievement in 2003 at Zion Arts

 

 

 

 

 

 

 

 

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